Works of dystopian fiction, from George Orwell’s Nineteen Eighty-Four and Ray Bradbury’s Fahrenheit 451, to Margaret Atwood’s The Handmaid’s Tale, and Anthony Burgess’ A Clockwork Orange, once seemed like dark fantasies of an authoritarian future. Their themes were warnings, not forecasts. Now, in 21st Century America, with the political landscape being fashioned by Donald Trump, […]